An MFRW Author Post — And check out the other blogs on the hop!
I am a cowboy girl. I read cowboy novels, with sunsets and sweet, passionate kisses, and the kind of lovemaking that happens mostly behind closed doors and thick, rough ranchers hands and southern drawls. Obviously, I’m a cowboy girl. What else would I be?
If I could go back I would absolutely tell my early romance-reading self what a waste of opportunity it was to confine myself to a single genre, when romance is so vast, so untried. There is something for literally everyone, in this chaos of subgenres and sub-subgenres, and what is fun about sticking to a single one?
For a long time after cowboys, I didn’t want anything to do with contemporary writing. In fairness, I think this was probably more to do with indulging fully in my escapist fiction, but the point remains. If britches weren’t involved, I wasn’t interested – and I didn’t want anything below an earl, either. Spoiled, as I was by Eloisa James’ Desperate Duchess Series, I had high expectations of what I was worth in a book boyfriend.
In the interest of honesty, I still go through periods where I obsess over a certain subgenre. I find it surprisingly difficult to switch between contemporary and historical, and I won’t apologize for binge reading what I enjoy. But over the course of my evolving love for the romance genre, and my need to read more to write more, I have discovered many genres that I would never have known I loved, had it not been by chance or happy accident. Here are just a few:
My obsessions with Laura Kaye’s Hard Ink Series and Suzanne Brockmann’s Troubleshooters Series have definitely made me reconsider men in uniform. I’ve never been opposed, let’s be clear on that one, but I never actively looked for them either. These series are really well-written, as you’ve heard me rant before, and the level of suspense keeps the reader intrigued for several novels, short stories, and novellas, as well as spin-off books.
More to the point, Kaye and Brockmann’s characterization is on point, giving the SF heroes histories they have to grapple with in order to be redeemed and worthy of the love of patient and powerful women. In that regard, the series sticks pretty true to the tortured hero bit – not that I have any problem with that – but the plots are unique and, to drive the point home, their characters are great.
Ever since finding these series, I’ve been on the hunt for another great SF or Army story that has such a satisfying plot woven between the romance. I like the big, burly hero with a lot of past sins to answer for, and I look forward to delving deeper into this genre.
Okay, I know that in the realm of romance, paranormal is a starting point for genres. The amount of drop-down menu options on paranormal is out of control, and I commend anyone who dares attempt this genre as a newcomer.
I think the problem I had with paranormal for a long time – and this genre I did avoid – is that there’s a lot of bad paranormal out there. I don’t think there’s any more bad paranormal than anything else, but because it’s such a prolific genre, the potential for shoddy research and half-baked plot lines is higher. I think the success of Twilight is heavily to blame for so many writers and publishers jumping on the bandwagon, and while it isn’t the first time, and won’t be the last, I think it did a disservice to the genre as a whole.
I won’t say I love all paranormal. Again, this includes a whole hell of a lot of things, but I’ve accidentally stumbled upon several books that made me reconsider my stance. When I read Interview With a Vampire last year, I realized just how much I had been missing about the lore – and the overt sexuality of it, which shed new light on the genre as a whole. I think the trick to paranormal is finding the right stuff because there’s not so great work out there, but when it’s good, it’s really good.
Is this genre bending? Do I care? From my obsessive Instagram-ing, I became intrigued by The Selection Series, a young adult romance with truly beautiful and enticing covers. I got fully, freaking hooked.
If I take a step back, I do have a lot of issues with this series. For one – forget the men, take the crown, be Queen, rule. But my feminist agenda notwithstanding (is my feminist agenda ever really notwithstanding), The Selection is the type of series you obsess over.
Think post-American Fairytale Bachelor, where political subterfuge and unrest of the people play an undercurrent to the young Prince Maxon’s search for a wife, of the 35 girls picked from the 35 regions in the country. It’s not a brand new story idea, but it’s dressed up nicely and makes us want to be princesses. (Queens. Marry the prince. Become the Queen. RULE.)
Again, I had major issues – characterization and plot included, but there’s something really endearing and/or enticing about ‘young love’. In the same way that Regency romance builds tension from the societal bonds constricting the hero and heroine, YA romance builds tension with the innocence of the characters and magnitude of each action they take. For a high powered attorney to kiss her boss is one thing, for a young princess to have her first kiss is definitely another.
I’m exploring YA now, currently listening to Eleanor and Park, which is a much higher caliber of storytelling. I think there’s a lot to be said for YA romance, and the YA genre in general, but there’s also a lot of room for it to go wrong. And then there are those books that do go wrong (and right, too) and you spend the whole damned night looking at fan art because you can’t stop yourself.
I have a problem…
I’ve also found truly incredible YA fiction in the Red Queen Series and Six of Crows Duology, which highlight remarkable skill and finesse on the part of the authors, who never speak down to the audience, nor undermine the reality of war. If you’re looking for books that will effectively ruin your life in the best ways possible, start here.
This happened a while back, before I started writing erotic romance under another pen name. It took me some time to realize that erotic romance does not, in fact, work against feminist progress. Instead, erotic romance and erotica are fundamentally part of the journey towards total empowerment and agency for all characters – people – but especially women.
As an early part of the Fan Fiction movement during high school and college, I had been writing fairly graphic stuff. Back then it went by many names, lemons/limes, smut, PWP (plot, what plot), and more. After I’d been involved in the romance genre for a while, I realized that I had been writing mostly erotic romance the whole time and that if I changed my perspective, I could do it even better.
One of the largest issues facing the erotic romance genre is Fifty Shades of Grey, which brought ‘erotic’ romance to the mainstream, hitting best seller’s lists and the big screen. When I tell people I’m an erotic romance writer, I nearly always get asked ‘like Fifty Shades?’. No. Not like Fifty Shades. Because erotic romance, when done right is an altogether different thing than whatever that story portrays. The uphill battle to remake the image of erotic romance in the mainstream will include the population unlearning much of what they learned from that series.
I’ll never miss a Fifty Shades rant. The point it, erotic romance has already faced massive obstacles in an effort to prove itself. Where romance novels are often thought of as light, good-hearted and sweet (even though a vast portion of the genre can be equally as graphic and ‘inappropriate’), erotic romance brings the sexuality of the romance genre to the fore, and demands that the reader – and the non-reader – pay attention. As far as the history of female sexuality goes, it’s a tough fight.
It took me some time to understand the importance of the erotic romance genre, but I feel strongly enough about it now that I write it myself. Part of what makes romance such a feminist genre is that sexuality and sexual agency element, be it understated or overt, and each genre plays its own role in that fight.
There are hundreds, if not thousands of subgenres for romance. There’s Sheiks, medical professionals, friends to lovers, step-brothers and rock stars. Many genres – like paranormal – are a starting point of options for whatever the reader wants. Obviously, there are more than enough books to last me a lifetime, and I know I won’t be able to get to all of them. And I don’t really want to. I love the genres I love and I come back to them time and again since new books are always available.
That being said, it’s important to take a step out of the comfort genre and explore the world around you. Some things may strike your fancy, others will leave you bored. You’ll never know until you try.♥
Isn’t it amazing how we progress from an exclusive subgenre to read the all encompassing “I will read what I like in any genre? I absolutely was NOT a fan of 50 Shades, or Twilight. I am a traditional vampire girl – you know, Bella Lugosi and Anne Rice’s versions.
Ironically I’m not much on cowboy romances though. Isn’t that odd? Great post- thank you for sharing!
I describe romance as a relationship spiced by sex (either blatant or implied) and erotica as sex with a little bit of relationship. I enjoy erotica, but too much of it is just poorly written garbage thrown together by authors who don’t know how to use apostrophes and who can’t distinguish between active and passive voice.