From the wilds of the Faroe Islands, to the rolling countrysides of Ancient Erin, Juliet’s tales have taken the fantastical and made it human, taken the human and made it fantastical.
The themes and lessons so to speak, that show up in my books are more a reflection of my own deep and fundamental values, things that I feel are important, beliefs that I have that I need my characters to share.
There is another, even more delightful element that comes along with the historical romance novels – beauty.
Most of my ‘real-world’ characters become amalgams of the people I know, faces and personalities, verbal ticks, cute quirks, a version of a real person that doesn’t exist in the real world.
If romance makes the changes that should have been made centuries ago, if romance opens its publishing houses and agencies and offers the same opportunity to authors of color as it does to white authors right now, we take away the excuse that it won’t work.
The discussion is ongoing, but the panel was insightful, educational and full of actionable steps that authors, readers, and industry professionals can take to further a fully inclusive, fully intersectional romance genre.
There is no right or wrong way to go about an interview, but I’m going to share some of my favorite techniques for better understanding, empathizing and, eventually, sharing my characters with the world at large.
As writers, our job is to take in the world around us and to make sense of it. And how can I possibly make sense when I cannot see the country for the city, the ranch for the beach house?
To read my books, from the most graphic and erotic to the most staid and sweet, you’d know my feelings on both without my ever spelling them out.
How can I pick the most beautiful, of these mirages and fantasies? How can I say one of these ancient histories sparkles more brilliantly than the next, when they all glow with their own stories, just as I glow with mine?