Because my family doesn’t just put up with my writing, as they were forced to do all those years ago in Asbury Park. They are an invaluable aid in finding the very best story, character or setting possible.
The writer aesthetic is cozy. It is sleepy and comfy, it is intentionally messy buns and no makeup and stretchy jeans. It is the uniform of the rainy-day, tea-drinking, muse-chasing writer, and it is my favorite.
There is no right or wrong way to go about an interview, but I’m going to share some of my favorite techniques for better understanding, empathizing and, eventually, sharing my characters with the world at large.
Because no matter what we write, we must give some of ourselves over the story, to the writing, to the characters, the sacrifice every writer must make to get it right.
As someone who lived through the whole Y2K thing as a young child, someone who came of age with the major advancement in technology and communication, someone who has seen the car industry continue to struggle with those pesky flying cars, I have learned time and again that the future doesn’t happen the way we think it will.
Witty remarks at the dinner tables and goofing off with my boyfriend aside, there’s one thing that will make me laugh without fail, every single time.
Here are a few of my favorite ways to muck off, when I should be writing.
[An MFRW Author Post!]
When it comes to titles, I am all or none. Some days, the blessed title deities generously bequeath the perfect name for my current work in progress, simply out of the kindness of their hearts. Other days, the well runs dry, the ground cracks below my feet, and I beg for the simplest drop of inspiration, but none is to be found.
There’s fantastic jazz music, the early women’s lib movement, and two main characters that could turn a morgue into a boudoir with a naughty wink and a pair of handcuffs.